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But what they do demand, as Hero does of Ivy, is "someplace where every time we turn around we don't see that damn machine staring at us." But what they do demand, as Hero does of Ivy, is "someplace where every time we turn around we don't see that damn machine staring at us." But what they do demand, as Hero does of Ivy, is "someplace where every time we turn around we don't see that damn machine staring at us." But what they do demand, as Hero does of Ivy, is "someplace where every time we turn around we don't see that damn machine staring at us." But what they do demand, as Hero does of Ivy, is "someplace where every time we turn around we don't see that damn machine staring at us." But what they do demand, as Hero does of Ivy, is "someplace where every time we turn around we don't see that damn machine staring at us." But what they do demand, as Hero does of Ivy, is "someplace where every time we turn around we don't see that damn machine staring at us." But what they do demand, as Hero does of Ivy, is "someplace where every time we turn around we don't see that damn machine staring at us." But what they do demand, as Hero does of Ivy, is "someplace where every time we turn around we don't see that damn machine staring at us." But what they do demand, as Hero does of Ivy, is "someplace where every time we turn around we don't see that damn machine staring at us."

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Excerpt

from “Afterlife”

Angela Woodward·
The knock had happened on one of those other days, where the date reigned over its little space on the calendar's grid, no appointments, no holiday, a day that had entered with morning and frayed into dusk but that still bore its numeral in case anyone came back to fill it with something in retrospect.
Excerpt

from “Residual”

Tisa Bryant·
"I prompt: A Black woman's hand near drawer" (onscreen, I receive three fingers, two thumbs, a foot made of fingers lurking, an unseen crouching body on top of the dresser)
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