Pitches + Submissions
a regionally-focused journal of literary, cultural, and art criticism
Don’s Dirigible: On Mark Doten’s “Trump Sky Alpha”
About Time: On Marci Vogel’s "Death and Other Holidays"
The Rhetoric of the Russian Revolution: On Barbara C. Allen's "Leaflets of the Russian Revolution
Michael J. Corsi
An All-Encompassing Politics for a New World Altogether: On Jedediah Purdy’s "After Nature: A Politics for the Anthropocene"
Shaped by Absence: Henrietta Goodman’s "All That Held Us"
Reading Tarot in the Anthropocene: On Matt Stansberry and David Wilson's "Rust Belt Arcana"
Born to Run: On Jana Beňová’s "Away! Away!"
“I have somehow become a woman who yells": On Lauren Groff's "Florida"
Death Will Bring Change: On T.F. Powys's "Unclay"
United in Music and Tragedy: On Jeff Jackson’s "Destroy All Monsters: The Last Rock Novel"
Pictures at an Execution: On Lev Ozerov's "Portraits Without Frames"
The Right to Move: On Mimi Sheller’s “Mobility Justice: The Politics of Movement in an Age of Extremes”
The Damned Love Their Department Stores: On Harold Frederic's "The Damnation of Theron Ware"
The End of White Innocence: On Eula Biss' "Notes From No Man's Land"
“Crashes happen when a person gets hit by remembering”: On Brielle Brilliant's "The Spud"
Cosmic Horror at a Crossroads: Revisiting Thomas Ligotti’s “The Conspiracy Against the Human Race”
When It Regards Poetry: On Anne Boyer's "A Handbook of Disappointed Fate"
Freedom and Information: On Anabel Hernández's “A Massacre in Mexico”
A Template for Displacement Narratives: On Daniel Kay Hertz's "The Battle of Lincoln Park"
This Is Not a Coming Out Story: On Jenny Hval’s "Paradise Rot"