Two Poems


AN INVENTORY OF MOTHERS AT MOMMY & ME GYMNASTICS  

 

would exclude me  
but not out of meanness. I don’t 
think they think that mother equals care, father   

absence, the kind, like smoke, 
that you can smell. Or that there’s something  
particularly unmasculine  

about kneeling down to cup 
your child’s alembic neck  
so it won’t snap as she rolls  

backwards down a foam ramp that seems 
to have been made from a clown suit,  
some poor red-nosed sap anonymous and glum  

in oversized boxers and hobo makeup juggling  
crème pies in the cold of my mind 
as a squad of three-year-olds safely tumbles.   

It’s about alliteration. A preference
“for euphony more than truth” (Socrates
to Hermogenes), for how “rhythmic patterns

confer a strange sense of wholeness
and inevitability” (Louise Glück), and this
compels us to condone or do or say things we  

otherwise would or shouldn’t. Think surf 
and turf. Or puggles. Practice 
makes perfect. Shock 

and awe. My god, what a whiff of assonance 
will let you get away with. 
A dab of mellifluity and let the stinger  

do its perforating dance 
through any region it thinks needs aeration. 
Because who doesn’t love  

a slogan coiled like a jack in the box? 
A wallop on a loaded spring, a motto you can’t help  
but mutter so its syllables can roll 

like buckshot in the cupped hand 
of your mouth? I cup 
my hand around her neck 

and she rolls backwards, spine  
unsnapped, grin fizzing as she dashes 
to the trampoline where she jumps,  

catching a little bit of air, floating 
for a moment like a sound
that means absolutely nothing  

except how it feels  
to rise and fall 
and falling, rise.

AMERICAN DREAM

Somehow the lists got switched
so now when darkness trips
the streetlamps in a single flick
I stand on the porch and yell 
for Operation Total Fury

while the radio announces new
troop callups for Eloise. 
Sometimes, once we’ve gotten her
to sleep, we wonder on the couch
between commercials if we shouldn’t

have named her Perfect Arrow,
after my mother, or maybe Operation
Ineluctable Flame — the year’s most
popular name, yes, but as the wine 
tightens its grip we concede it’s got 

a ring to it. The news anchors lather up 
and rinse the war’s many wigs, highlighting
momentarily important looks:
Genevieve repelling insurgents in
the north, Isabel stalled as storms

comb the bogs and forests of the west,
and Penelope almost done 
shoring up the eastern flank so it
can rally with Bayleigh and Lakynn,
and begin the critical pincer move needed

to relieve beleaguered Taylee. We
find the names absurd. Nowhere
near as mellifluous as Luminous
Spear or Unrelenting Vengeance.
Imagine, we say to each other, planting

a victory garden for Winifred instead
of Scarlet Trident. Celebrating
the smallest inch achieved by Megyn
instead of Justice Fusillade.
To ration every glittering teaspoon

of sugar and every phosphorous flare
of empathy for Mackenzie so this meager
plenitude might help us deceive ourselves
that despite her hunger her damage will 
somehow spare us too.  

Conor Bracken

Conor Bracken is the author of The Enemy of My Enemy is Me (Diode Editions, 2021), as well as the translator ofMohammed Khaïr-Eddine’s Scorpionic Sun (CSU Poetry Center, 2019) ad Jean D’Amérique's No Way in the Skin Without This Bloody Embrace (Ugly Duckling Presse, 2022). He teaches at the Cleveland Institute of Art.

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