Pitches + Submissions
a regionally-focused journal of literary, cultural, and art criticism
Shaped by Absence: Henrietta Goodman’s "All That Held Us"
Conflict: Democracy and Pearl Jam’s Vs., 25 Years On
Reading Tarot in the Anthropocene: On Matt Stansberry and David Wilson's "Rust Belt Arcana"
Pere Ubu Understands America and I Don't
Born to Run: On Jana Beňová’s "Away! Away!"
“I have somehow become a woman who yells": On Lauren Groff's "Florida"
Death Will Bring Change: On T.F. Powys's "Unclay"
United in Music and Tragedy: On Jeff Jackson’s "Destroy All Monsters: The Last Rock Novel"
Pictures at an Execution: On Lev Ozerov's "Portraits Without Frames"
Holy Wars: On Football Rivalries Between Ohio Catholic High Schools
Griffin Reister Johnson
Demystifying Daddy: A conversation with Brian Abrams about his book, "Obama: An Oral History"
The Right to Move: On Mimi Sheller’s “Mobility Justice: The Politics of Movement in an Age of Extremes”
The Damned Love Their Department Stores: On Harold Frederic's "The Damnation of Theron Ware"
The End of White Innocence: On Eula Biss' "Notes From No Man's Land"
“Crashes happen when a person gets hit by remembering”: On Brielle Brilliant's "The Spud"
Reckoning with Woman’s Body: On Anne Serre’s "The Governesses"
Brianna Di Monda
On Grief: Or, the Difference Between Loss and the Payment of Debts
Andrés Emil González
Cosmic Horror at a Crossroads: Revisiting Thomas Ligotti’s “The Conspiracy Against the Human Race”
Against Nature: On Laboria Cuboniks' "Xenofeminist Manifesto"
Koby L. Omansky